
Author: Rebecca Sullivan
For I Will Consider My Children
(After Mary Oliver and Christopher Smart)
For I will consider my son Maximus
For he plays the one broken key on our piano with gusto
For he climbs the shelves of my pantry in search of tea
For he chases sparrows at federation square
For he has three hour baths
For he claps and spins to SBS Chill
For he can play 17 rhythms on Djembe and can bang them on guitar
For he sings the words I think I’m gonna cry WAH WAH
For he collects real estate magazines and reads the oxford dictionary
For in a crowded theatre he laughs loudly at the sad parts of the film
For when it’s cloudy outside he tells me the sun is gone
For when I tell him I’ll see him next Friday
he hugs me a little tighter
For I will consider my daughter Willow
For she hates dresses that go past her knee
for she has adopted my hooded leather jacket
For when I tell her I love her she says ok unless its mothers-day
For she keeps her door closed and asks me to always knock
For she refuses to wear a hat to protect her mulberry birthmark
For she is terrified of the daddy long legs
For she uses her whole body to flip the two-handed-double-fingered-bird
For she lent me a dress on valentine’s day
For on her desk are two guitars a make-up case and a broken calculator
For she tells me what’s good on Netflix but asks that I watch when she’s not around
For above her bed is her first painting – a cave composed before kindergarten
For when she switches off her night light she quietly yells
mum are you still awake?
For I will consider my daughter Cadence
For she knows how to make eighteen different types of slime
For her bedroom carpet is ruined
For she wants to be an actor when she grows up or a chemist or both
For she has a book called ‘Cat Body Language – 100 Ways to Read Their Signals’
For she has a cat scratch on her chin
For she tells me she has decided to start calling me mother
For her new year’s resolution is to have less drama at school and to get a boyfriend
For when we read side-by-side she announces any gramma errors she encounters
For she can count her breaths backwards from 150
For she sleeps next to me seven nights out of fourteen
For of those seven nights her last words are mummy
I love you like an atom
For I will consider my children Maximus Willow and Cadence
For I will consider them while atoms still exist
Point Nepean
on the path to Gunner’s Cottage
echidna buries its head
Fort Nepean
on the cliff’s edge
admiral butterfly chases dragonfly
Sandringham Village
at the cafe entrance
barrister shoes white moth
Sandringham Beach
ladybird walks internal bind
of book on Forgiveness and Other Acts of Love

















Published in Rabbit – A Journal for Non-Fiction Poetry
Edition 37 – Collaborations
POST INDUSTRIAL SMS RENKU is produced by Rebecca Sullivan and Brett Gili. Taken from real life SMS interactions, the collaboration plays with the traditional conventions of haiku to highlight the tension between Feminine and Masculine, Nature and Industry, and Love and Destruction.
The print version of the poem is published in Rabbit. A journal for nonfiction poetry, Collaborations Edition 37
dandelion clocks –
a forecast of wind
Produced by Rebecca Sullivan and Maximus Lewis.

behind the mirror
your rough skin and thick neck
my face delivered into working hands
a river salt leached in compound tide
palms breathing internally like a cup
heels compressed into my chin
into the folds of my forehead
skin peeled fingers
bearing weight
your shoulders braced away from wrists
.
in collaboration with Max












First published in Southerly Literary Journal 76.2, November 2016
- noise, advice, conversation and a song under water were not submitted to Southerly.
- a song under water was exhibited along with audio version at the George Paton Gallery, 2017
all audio versions found here


