becopoetry

Poetry Music Thoughts and Reflections

Jean Green — October 2, 2026

Jean Green

i have it in my face
Kristiva's Black Sun.

It smouldered in June, July.
In August breaking through to pit my heart,
to centre skew September,
to blow away any gift of spring,
if there was any to begin?

Some pretence is authentic
in a show of windy flowers.
But not with friends.

My friend Charlotte reminded me
of the concentrated spread,
guidance in the shade, a reprieve
- the thin veil -
sometimes so face tight
in temples. Cohen’s light
Asking for cracks
"Hold on for October"
Charlotte said,
“They are here our loved ones.”

All last week
Max yelled "Great Grandma, Great
Grandma"
as i upped my dose
he clapped "Great
Grandma” in joy.

My friend Claire asked Max what is said?
Max with one word
held his autistic gaze on her,
"poetry"
- a question? a message? a request? -
She said he had a hand on the book
of Melancholia.
Claire went on to read to him.
Her recitation behind the spring sun chant
"Great Grandma, Great
Grandma."

I think of Jean in his light

lifted

i return to poetry.

It’s been a long time.
And I don’t care if it’s bad.
It feels good.

i write now on my white couch,
door open, a black moth
flies into the house.
i am struck by its liveliness.
A dance above Max’s song.
He stops, the moth stills.
meeting my eyes, Max commands,
"Show mummy your worksheets!"

12/12 correct!
Who sang?
Tick.
20/20 correct!
What Animal at sea?
Tick.
7/7 correct!
i spy ---------------
tick, tick, tick, tick, tick, tick, tick.

"Show Mummy your worksheets!”

He chants

"Show Mummy your worksheets!"
Borderline
Dolphin
With my little eye

i hear

Great Grandma, Great
Grandma

i write

Black sun borrowed and bathed
October begins







POST INDUSTRIAL SMS RENKU — October 10, 2018

POST INDUSTRIAL SMS RENKU

POST INDUSTRIAL SMS RENKU is produced by Rebecca Sullivan and Brett Gili. Taken from real life SMS interactions, the collaboration plays with the traditional conventions of haiku to highlight the tension between Feminine and Masculine, Nature and Industry, and Love and Destruction.

The print version of the poem is published in Rabbit. A journal for nonfiction poetry, Collaborations Edition 37

https://rabbitpoetry.com/

haiku — November 10, 2017
Bluestone lips — August 5, 2017

Bluestone lips

behind the mirror

 

your rough skin and thick neck

 

my face delivered into working hands

a river salt leached in compound tide

palms breathing internally like a cup

heels compressed into my chin

into the folds of my forehead

skin peeled fingers

bearing weight

 

your shoulders braced away from wrists

 

 

.

The ‘Special Needs’ of Poetry — July 25, 2017
HIStory of Father Tongue — October 18, 2016
Museum — September 23, 2016

Museum

in four limbs around an oval

man cerated

 

edges framed

and falling to cedar

 

expanding in triangular

their shadows white

 

footprints amidst

a maroon sea

 

the light of ceiling

soaked in a leaking flood

 

arial footed

lines pasted to the floor

 

a small diamond window hidden

in the belly of outside

Black — August 28, 2015

Black

the space behind the chalk
above her number plates

circular on the road
transparent on the window

the bottom of the trolley
on the buddha’s back

over the whole truck
behind an open sign

before the milk’s poured in
inside the lining of her boots

underneath the ‘specials’
the cover for an ashtray

a jacket sitting on the seat
between lips on a straw

the letter Z on a box
the lid of a bottle of booze

a tray glued to the wall
a pale plate stacked on blue

 

 

 

 

 

ConStruck tt — July 23, 2015
haiku — July 4, 2015